Saturday 29 August 2026 · 7:30 PM · Chatswood Concourse Theatre · Production Planning

People

HOW TO READ THIS — one thing per box
D2
The CALL. Kay calls cue numbers, never times. Find your boxes and listen for them.
HEADER
Where am I? Every black header says: after which song → setting which song.
SIDES ARE ALWAYS AS THE AUDIENCE SEES THEM — theatre jargon: “STAGE RIGHT” = our LEFT · “STAGE LEFT” = our RIGHT · TAB 1 downstage · TAB 2 mid · TAB 3 upstage
ENTER from the LEFT wing — the piano + violin side (jargon: stage right)
ENTER from the RIGHT wing — Kay’s side (jargon: stage left)
EXIT into the LEFT wing
EXIT into the RIGHT wing
THE SCRIM
SCRIM IN (full) — the hanging mics fly UP out of its way
SCRIM OUT — the hanging mics come back DOWN. One AX cue does both.
SCRIM ⅓ — happens ONCE all night, mid-Moonlight. Nowhere else.
SCREENS + LIGHTS
FILM or CARD — always plays ON the scrim, and the sound is inside the film. No separate voice-over.
CYC TITLES — song titles on the back wall; they fade out after each song's intro.
SNAP — an instant light cut, no fade.
PEOPLE
STAND and SIT are called cues — nobody stands or sits on their own.
Names are colour-coded: YOUTH CHOIR ORCH PROD.
Walkers go ROUND the orchestra — down the side lanes, never through the players.
Maps are TO SCALE — one square = 1 metre; the stage is 14 m × 10 m.

Calls are cue numbers — find your boxes and listen for them. The grey line under each box tells you WHERE in the show it happens (which song it follows). Diagrams show your path, audience view, TO SCALE.

NATALIA

Piano · podium · the busiest track

pre-show
Sit at the piano"/>PIANO behind the scrim. The OPENING FILM plays on the scrim; in its final 20 seconds your PIANO SPOT fades up and you are ALREADY PLAYING — the film dissolves straight into Etude-Tableau. Stay at the piano for PHOEBE + DAVID sing the Prelude in front of the scrim.
F3
after Pilgrim's Progress
YOUR REVEAL — the first announce film of the night. Your NATALIA ANNOUNCE FILM plays on the scrim in L TAB 1 MIC B — IN FRONT OF THE SCRIM · TURNS · SNAP backlight · the YOUTH STAND · scrim flies OUT conduct Morning Prayer from the podium
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsF3
This cue only — TO SCALE, audience view · go ROUND the orchestra
G5
after Morning Prayer
Podium piano"/>PIANO along the front edge — YOU play A Clare Benediction and lead it from the keys
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsG5
This cue only — TO SCALE, audience view · go ROUND the orchestra
O God Beyond All Praising + Hallelu Yah
STAY AT THE piano"/>PIANO — JONAH then MATT are revealed while you sit behind the action; Hallelu Yah is yours to accompany
Act II opens
ACT II FILM on the scrim, then MOONLIGHT SONATA at the piano. Mid-piece the scrim lifts to its ⅓ — the only ⅓ of the night
L1
final bars of Moonlight, in the black
piano"/>PIANO podium in the dark · conduct Benedictus — the choir STANDS around you in the black
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsL1
This cue only — TO SCALE, audience view · go ROUND the orchestra
M4
after Benedictus
Podium MIC A · interview ALEXEY · then piano"/>PIANO to accompany The Holy City
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsM4
This cue only — TO SCALE, audience view · go ROUND the orchestra
Q2
applause after Boswell
→ podium · conduct Psalm 150, Rutter — the finale · JOSH steps aside to the side chair, R wing
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsQ2
This cue only — TO SCALE, audience view · go ROUND the orchestra
straight after the Rutter finale
Hand the podium back to JOSH for the reprise — step beside the piano and stay on
W4
the bows
Your BOW is LAST — walk to centre after the soloists and conductors
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsW4
This cue only — TO SCALE, audience view · go ROUND the orchestra

JOSH

The dramatic open · podium · piano

pre-show
Pre-set at the PODIUM behind the scrim with the orchestra — NO announce film: this is the DRAMATIC OPEN. You stay hidden through the films, Etude-Tableau and the Prelude.
D3
under the final bars of the Prelude
The company STANDS around you in silhouette · the scrim flies OUT on your upbeat conduct How Great Is Our God, then Pilgrim's Progress
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsD3already at the podium
This cue only — TO SCALE, audience view · go ROUND the orchestra
F2
after Pilgrim's Progress
Off R TAB 1 side chair, R wing — NATALIA is announced and takes the youth set. You STAY in that chair right through to the message
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsF2
This cue only — TO SCALE, audience view · go ROUND the orchestra
P5
during the MESSAGE
Side chair (R wing) PODIUM behind the scrim. As the message ends YOUR ANNOUNCE FILM plays on the scrim — then Psalm 150, Boswell explodes on the scrim-out downbeat, you revealed mid-flight
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsP5
This cue only — TO SCALE, audience view · go ROUND the orchestra
R2
straight after the Rutter finale
Side chair PODIUM for the reprise — NATALIA hands it back
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsR2
This cue only — TO SCALE, audience view · go ROUND the orchestra
W1
the bows
Gesture the company BOW · then step down and BOW with JONAH + MATT (W3)

JONAH

One reveal

H3
after A Clare Benediction — during the cloaked reset
YOUR REVEAL: your JONAH ANNOUNCE FILM plays on the scrim (its own sound) in R TAB 1 MIC B — IN FRONT OF THE SCRIM · TURNS · everyone STANDS · scrim flies OUT conduct O God Beyond All Praising · back to your cello seat during transition I
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsH3
This cue only — TO SCALE, audience view · go ROUND the orchestra
W3
the bows
From the cellos front, BOW with the conductors
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsW3
This cue only — TO SCALE, audience view · go ROUND the orchestra

MATT

Risers · front · the 8

I4
after O God Beyond All Praising — during the cloaked reset
YOUR REVEAL: your MATT ANNOUNCE FILM plays on the scrim slip from the risers ROUND THE BACK in R TAB 1 MIC B — IN FRONT OF THE SCRIM · TURNS · adult choir STANDS · scrim flies OUT conduct Hallelu Yah
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsI4offI4→ B
This cue only — TO SCALE, audience view · go ROUND the orchestra
J5
the giving, after Hallelu Yah
→ risers behind the scrim, via R
N2
after The Holy City
In with THE 8, both TAB 1 front line on the apron, YOU centre — Were You There
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsN2
This cue only — TO SCALE, audience view · go ROUND the orchestra
O1
after Were You There
STAY FRONT as the 8 return · turn conduct All That Hath
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsO1STAYS
This cue only — TO SCALE, audience view · go ROUND the orchestra
P6
the message, after All That Hath
→ risers behind the scrim, via R
W3
the bows
From the risers, down the R side front, BOW with the conductors
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsW3
This cue only — TO SCALE, audience view · go ROUND the orchestra

RYAN

Two moments, both R TAB 1 → MIC B

J4
GIVING — after Hallelu Yah
Scrim IN with the GIVING CARD in R TAB 1 MIC B · B live · off R as the card holds
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsJ4/ P4
This cue only — TO SCALE, audience view · go ROUND the orchestra
P4
MESSAGE — after All That Hath
Scrim IN with the MESSAGE CARD in R TAB 1 MIC B · B live · off R as JOSH's announce film starts
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsJ4/ P4
This cue only — TO SCALE, audience view · go ROUND the orchestra

JEMIMA

Goodbye + prayer — the last voice of the night

W5
end of the bows
In R TAB 1 MIC B · B live · say goodbye and PRAY · the company holds behind you · off R as the WALK-OUT CARD lands on the scrim
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsW5
This cue only — TO SCALE, audience view · go ROUND the orchestra

LUCIA

How Great Is Our God from MIC A · the reprise from MIC B

D2
under the final bars of the Prelude
In L TAB 1 MIC A — sing How Great Is Our God · PHOEBE stays beside you on B
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsD2
This cue only — TO SCALE, audience view · go ROUND the orchestra
E1
after How Great Is Our God
Off L TAB 1 with PHOEBE
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsE1
This cue only — TO SCALE, audience view · go ROUND the orchestra
R1
straight after the finale
In R TAB 1 MIC B — the reprise, the reprise
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsR1
This cue only — TO SCALE, audience view · go ROUND the orchestra
W2
the bows
Stay at MIC B — BOW with the soloists

ALEXEY

Interview + The Holy City

K1
the interval
Re-enter with the youth risers
M3
after Benedictus
Risers MIC A — DOWN THE L SIDE, round the orchestra, never through it · interview with NATALIA
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsM3
This cue only — TO SCALE, audience view · go ROUND the orchestra
The Holy City
Move MIC A MIC B · sing
N1
after The Holy City
Off L TAB 1
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsN1
This cue only — TO SCALE, audience view · go ROUND the orchestra
Q1
applause after the Boswell Psalm 150
Return with all youth for the finale
W2
the bows
Down the L side front line — BOW with the soloists
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsW2
This cue only — TO SCALE, audience view · go ROUND the orchestra

PHOEBE + DAVID

The Prelude pair — in from the LEFT, the violin side

C1
during the TUNING FILM, after Etude-Tableau
In L TAB 1 mics A + B — IN FRONT OF THE SCRIM — the Prelude. You come in on the violin side
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsC1
This cue only — TO SCALE, audience view · go ROUND the orchestra
D1
under the final bars of the Prelude
DAVID: off L TAB 1 and straight back to your SEAT IN THE VIOLINS behind the scrim — you play the rest of Act I. PHOEBE STAYS on B and sings How Great Is Our God with LUCIA
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsD1DAVID → violins
This cue only — TO SCALE, audience view · go ROUND the orchestra
E1
after How Great Is Our God
PHOEBE off L with LUCIA
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsE1PHOEBE
This cue only — TO SCALE, audience view · go ROUND the orchestra
F1
after Pilgrim's Progress
PHOEBE re-enters with the youth (DAVID is already on, in the violins)

ANNIKA

One verse

D4
last verse of How Great Is Our God
In R TAB 1 MIC C
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsD4
This cue only — TO SCALE, audience view · go ROUND the orchestra
E1
after How Great Is Our God
Off R TAB 1 · back in with the youth at F1
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsE1
This cue only — TO SCALE, audience view · go ROUND the orchestra

KARYN

Bassoon exception

A1
pre-show
Pre-set with the adults — you play Pilgrim's Progress
the interval
Off — you are not in Benedictus
Q1
applause after the Boswell Psalm 150
Return for the finale — in R TAB 2 (the bassoons sit stage left, our RIGHT)
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsQ1in R TAB 2 — bassoons are stage left
This cue only — TO SCALE, audience view · go ROUND the orchestra

KAI · CURTIS · JAYDEN

Percussion trio

F1
after Pilgrim's Progress
In L TAB 3 percussion
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsF1
This cue only — TO SCALE, audience view · go ROUND the orchestra
H2
after A Clare Benediction
Item 7 is CURTIS alone — KAI + JAYDEN to side chairs, L wing
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsH2
This cue only — TO SCALE, audience view · go ROUND the orchestra
I2
after O God Beyond All Praising
All three back + guest bongos — Hallelu Yah
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsI2
This cue only — TO SCALE, audience view · go ROUND the orchestra
M1
after Benedictus
Off with the youth · back at Q1 for the finale · CURTIS owns the kit

LACHLAN M. + OLIVER

Brass + one singing cross

G2
after Morning Prayer
Brass front line for A Clare Benediction — DOWN THE R SIDE, round the orchestra
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsG2
This cue only — TO SCALE, audience view · go ROUND the orchestra
H1
after A Clare Benediction
Back to brass, up the R side
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsH1
This cue only — TO SCALE, audience view · go ROUND the orchestra
L3
mid-Benedictus
LACHLAN M.: brass MIC C — down the R side DURING the music · euphonium solo in SPOT C · back up the R side after
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsL3
This cue only — TO SCALE, audience view · go ROUND the orchestra
W2
the bows
LACHLAN M. down the R side, BOW with the soloists — OLIVER stays in brass

JOHNSHU + NICK

Adult joiners for the Clare

G3 / G4
after Morning Prayer
JOHNSHU from the violas (down the R side) · NICK from the risers (down the L side) front line for A Clare Benediction
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsG3G4
This cue only — TO SCALE, audience view · go ROUND the orchestra
H1
after A Clare Benediction
Back up the same sides · NICK also sings in THE 8 (N2)

THE CHAMBER 8

Matt · Stephanie · Kay · Simon · Leo · Nick · Vincie · Anna

during The Holy City
Slip from the risers in the dark, off both wings, round the back
N2
after The Holy City
To the front line on the APRON (scrim IN behind you) — from L TAB 1: STEPHANIE · KAY · VINCIE · ANNA — from R TAB 1: MATT · SIMON · LEO · NICK, MATT centre — Were You There
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsN2L fourN2R four
This cue only — TO SCALE, audience view · go ROUND the orchestra
O1
after Were You There
L four off L TAB 1 · R four off R TAB 1 round the back risers · MATT stays front
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsO1L fourO1R four
This cue only — TO SCALE, audience view · go ROUND the orchestra

VIVIANA

Cello solo from her seat

L1
final bars of Moonlight, in the black
Ready in place — your cello solo opens Benedictus, from your seat
W2
the bows
Step forward — BOW with the soloists
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsW2
This cue only — TO SCALE, audience view · go ROUND the orchestra