Saturday 29 August 2026 · 7:30 PM · Chatswood Concourse Theatre · Production Planning

Youth Cues

HOW TO READ THIS — one thing per box
D2
The CALL. Kay calls cue numbers, never times. Find your boxes and listen for them.
HEADER
Where am I? Every black header says: after which song → setting which song.
SIDES ARE ALWAYS AS THE AUDIENCE SEES THEM — theatre jargon: “STAGE RIGHT” = our LEFT · “STAGE LEFT” = our RIGHT · TAB 1 downstage · TAB 2 mid · TAB 3 upstage
ENTER from the LEFT wing — the piano + violin side (jargon: stage right)
ENTER from the RIGHT wing — Kay’s side (jargon: stage left)
EXIT into the LEFT wing
EXIT into the RIGHT wing
THE SCRIM
SCRIM IN (full) — the hanging mics fly UP out of its way
SCRIM OUT — the hanging mics come back DOWN. One AX cue does both.
SCRIM ⅓ — happens ONCE all night, mid-Moonlight. Nowhere else.
SCREENS + LIGHTS
FILM or CARD — always plays ON the scrim, and the sound is inside the film. No separate voice-over.
CYC TITLES — song titles on the back wall; they fade out after each song's intro.
SNAP — an instant light cut, no fade.
PEOPLE
STAND and SIT are called cues — nobody stands or sits on their own.
Names are colour-coded: YOUTH CHOIR ORCH PROD.
Walkers go ROUND the orchestra — down the side lanes, never through the players.
Maps are TO SCALE — one square = 1 metre; the stage is 14 m × 10 m.
YOUTH KEY
ON ALL NIGHTSOPHIE · LACHLAN M. · OLIVER · MAYA (core four) + KARYN until interval + DAVID from the Prelude (violins)
YOUTH OUTHow Great Is Our God · Pilgrim's Progress (except KARYN) · Hallelu Yah (except the trio) · everything from The Holy City to the Boswell Psalm 150
YOUTH INMorning Prayer · A Clare Benediction · O God Beyond All Praising (perc = CURTIS only) · Benedictus (except KARYN) · the Rutter finale + reprise (all — stay on for the bows)
TRANSITION A — BEFORE THE SHOW · places behind the scrim, under the hold slide into the OPENING FILM
A2other YOUTH hold in Green Room
TRANSITION C — final 30 sec of the TUNING FILM sets Prelude: How Great
C1PHOEBE + DAVID in L TAB 1 mics A + B — IN FRONT OF THE SCRIM (the violin side)
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsC1PHOEBE + DAVID → mics A + B
This cue only — TO SCALE, audience view
TRANSITION D — under the final bars of the Prelude sets How Great Is Our God · THE DRAMATIC OPEN — no announce film, JOSH is already at the podium
D1DAVID off L TAB 1 back to his SEAT IN THE VIOLINS behind the scrim — PHOEBE STAYS at MIC B
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsD1DAVID → violins, via L TAB 1
This cue only — TO SCALE, audience view
TRANSITION F — after Pilgrim's Progress · YOUTH FILM covers the youth entrance sets Morning Prayer · NATALIA's reveal — the FIRST announce film of the night
F1YOUTH in · strings TAB 2 seats · choristers TAB 3 risers · trio L TAB 3 percussion
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsF1youth stringsF1F1choristersF1trio → perc
This cue only — TO SCALE, audience view
F4YOUTH STAND
F5youth strings SIT · choristers STAY UP — NATALIA to the podium
TRANSITION G — after Morning Prayer · kids' line to the FRONT sets A Clare Benediction · NO scrim move — the piano underscores
G1YOUTH CHOIR front line, centre — ALL down the L side (their riser end is house-left), round the orchestra
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsG1kids — down the L sideG1kids — down the R side
This cue only — TO SCALE, audience view
G2LACHLAN M. + OLIVER from brass front line — down the R side
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsG2LACHLAN M. + OLIVER
This cue only — TO SCALE, audience view
TRANSITION H — after A Clare Benediction · everyone back, cloaked by the scrim sets O God Beyond All Praising · JONAH's reveal
H1line returns: kids UP the L side risers · LACHLAN M. + OLIVER UP the R side brass · JOHNSHU UP the R side violas · NICK UP the L side risers
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsH1kids + NICK — up the L sideH1LACHLAN M. + OLIVER + JOHNSHU — up the R side
This cue only — TO SCALE, audience view
H2perc reset: CURTIS alone — KAI + JAYDEN to side chairs, L wing
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsH2KAI + JAYDEN → side chairs L
This cue only — TO SCALE, audience view
TRANSITION I — after O God Beyond All Praising · big Act I reset, cloaked sets Hallelu Yah · MATT's reveal
I1YOUTH out L+R TAB 2/TAB 3 Green Room (not core four · not trio)
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsI1youth strings outI1I1choristers out
This cue only — TO SCALE, audience view
I2KAI + JAYDEN rejoin CURTIS · guest bongos joins
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsI2KAI + JAYDEN back
This cue only — TO SCALE, audience view
TRANSITION K — during the interval, behind the scrim sets Act II
K1YOUTH re-enter L+R TAB 2/TAB 3 (all except KARYN)
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsK1youth strings backK1K1choristers
This cue only — TO SCALE, audience view
TRANSITION M — after Benedictus · youth clear the INTERVIEW, then The Holy City
M1YOUTH out L+R TAB 2/TAB 3 (core four stay · ALEXEY stays)
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsM1youth outM1M1choristers out
This cue only — TO SCALE, audience view
M3ALEXEY from risers MIC A — down the L side, round the orchestra
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsM3ALEXEY — down the L side → MIC A
This cue only — TO SCALE, audience view
TRANSITION N — after The Holy City · the 8 come FORWARD, scrim in sets Were You There
N1ALEXEY off L TAB 1 · SND14 B mute
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsN1ALEXEY off L
This cue only — TO SCALE, audience view
TRANSITION Q — applause after Psalm 150, Boswell · FINALE entrance in view sets Psalm 150, Rutter
Q1ALL YOUTH in L+R TAB 2/TAB 3 places (KARYN + ALEXEY return too)
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsQ1ALL YOUTH inQ1Q1choristers
This cue only — TO SCALE, audience view
TRANSITION W — THE BOWS · in the applause after the reprise
W2soloists front line, bow: VIVIANA · LACHLAN M. (down the R side) · ALEXEY (down the L side) · LUCIA is at MIC B
CYCLORAMA — titles STRINGS WINDS BRASS CHOIR RISERS PERC PIANO POD SCRIM — flies IN / OUT MIC A MIC B MIC C TAB 1TAB 2TAB 3TAB 1TAB 2TAB 3 LEFT WING RIGHT WING TO SCALE — stage 14 m × 10 m · one square = 1 m · audience view · TAB 1/2/3 = the entry gaps in the wingsW2VIVIANAW2LACHLAN M. — down the R sideW2ALEXEY — down the L side
This cue only — TO SCALE, audience view